Last
Wednesday, I attended the Levinthal Reading, in which students - writers who
had worked on their own creative writing pieces with visiting Stegner Fellows -
read excerpts from their own works. It's been over a week since that event
because I wasn't sure how to write the blog post concerning it. I guess I have
some idea of how to do so now, so behold, the blog post.
To my dismay and eternal embarrassment, I have a pretty short attention span
sometimes, and when forced to sit for an extended period of time to
listen to a lecture, say, or a reading, more often than not, I fall asleep. Shame on me, I know. I
am very happy to report that I in fact did not doze off during the
Levinthal Reading last week - probably because a couple of my friends were
reading at this event - and so I was able to enjoy the rich artistic talent that
each writer brought to the reading.
A lot of the readings, I was surprised to discover, were of poetry. Although I
have some sort of background in poetry, I was never really able to develop an
appreciation of it. This is especially the case with poetry that tends to
follow in Walt Whitman's footsteps, with his long, meandering, descriptive
lines. When I'm reading such poetry, I usually get distracted. Not so the case
as I sat there in the Terrace Room, listening to student poet after student
poet read their works. At first, I paid attention to the sound of their voices.
Then I started actually paying attention to the words that they spoke, and the
images that were conjured up through their words. Sometimes a particular line
of poetry will stick with you long after you've read or heard it. Maybe you
don't remember the exact turn of phrase, but at least the emotions evoked by it will linger somewhere in your mind. Though it's been a
week since the reading, that's exactly the case for me: I
remember a soft, diffused glimpse of beauty from one poet, a frenzied snapshot
of tumult from another. I wish I had thought to write down some of the verses
that I enjoyed.
A couple other readings that stood out to me were of fiction. I was very
impressed by the strength of the different voices that I heard, and the way
that each author read their excerpts in very particular ways. For example, one
writer, reading a scene from his novel-in-progress, did so in a way that perfectly captured the mood that he must have imagined while writing the scene. I think that if I had read that particular excerpts, in which the main character sets off on an extended rant to vociferously defend his proposal to study a long looked-over tribe in the Amazon, my eyes would have glazed over, if not skipped the passage entirely. I'm not even sure if my mind would have allocated the same degree of emotion to this particular rant. Sitting there in person, though, and having no choice but to listen to this writer dive straight into his protagonist's psyche - it was only then that I really got a sense of how engaging readings could be.
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